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Watch more than 220 time-based media artworks past over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue

ONLINE Drove Catalog

The online collection catalog offers the opportunity to enquiry and view over 890 works past 300 artists from the JULIA STOSCHEK Collection.

Over the side by side months, videos and films will exist continually uploaded and made accessible online. They are accompanied past explanatory texts about the works. Or yous can drop past our JSC Video Lounge direct.

A list of all accessible works tin can be plant by clicking on „viewable online" „nether Tags" then selecting „Works".

To engagement over220film-, video- and audio-based works by62artists from the collection can be viewed in their entirety. Amid the works in this beginning selection are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Toll, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC'south long-term goal is to make the entire collection available online, thus creating a platform for time-based art that supports the accessibility and engagement of fourth dimension-based art.

About THE Drove

"Many of the works in this collection construct multi-temporal worlds; they harbor not i flow of events, but a labyrinth of diverging paths, each with its own pace and temporality. The drove is thus a complex annal of temporalities, storing passed moments and layers of fourth dimension that tin can exist technically repeated, in principle an infinite number of times."

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2002 past Julia Stoschek, the JULIA STOSCHEK COLLECTION has grown to be an expansive drove of time-based art spanning film, video, sound, operation, and computer and software-based works. At present, over 860 artworks by more than 282 contemporary artists  across genres and generations offer an overview of time-based fine art from the 1960s to today with a strong focus on works made afterwards 2000.

The term fourth dimension-based fine art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which duration is a dimension and comprises moving-picture show, video, unmarried- and multi-channel video installation, slide installations, multimedia environments, sound, performance, calculator and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are often allographic, meaning they are only visible when installed or projected.

At the JULIA STOSCHEK COLLECTION, early expanded cinema, video, and performance works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović come across Doug Aitken's video installations, Ian Cheng'due south live simulations, and Hito Steyerl's all-encompassing environments. The collection contains many artworks by pioneering female and feminist artists and experimental filmmakers from the 1960s and '70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to name a few. The drove strives to build sustainable relationships with artists and galleries, focusing on key works and groups of works made throughout artists' careers, growing with and reflecting their evolving do.

The drove is characterized past an ever-growing technological convergence and interdisciplinary approach: "The video fine art of today is theater, operation, musical performance, sculpture, projection, moving epitome, moving bodies, dance, stage, screen, real space, existent time, all in i," writes Peter Weibel in the itemize accompanying the exhibition "High Functioning," jointly organized by JULIA STOSCHEK Collection and ZKM | Center for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but sure themes yet manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the body and representation; performativity and performance; the gaze; and the relationship between our congenital environment and the natural world.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK Collection in Düsseldorf and Berlin, as well as at several international institutions. 27 large-calibration exhibitions have taken place at the collection's exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were meaning solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Price, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The commencement large-scale group exhibition at the drove, Number Ane: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and outside, construction and destruction. Number Ii: Fragile (2008–09) focused on the body and corporality, bringing together video, operation, and body art. Number 3: Here and Now (2009–10) was dedicated solely to performance and the ephemeral, with performances and concerts by some of the virtually prominent contemporary artists working today scheduled all year long. Almost ten years after, Number Xiii: Hello Boys (2015–xvi) revisited operation and feminist video, questioning the representation of female identity and the functioning document. To gloat its tenth anniversary, the JULIA STOSCHEK COLLECTION invited artist Ed Atkins to curate a grouping exhibition in Düsseldorf, which he chosen Generation Loss (2017). The title refers to the process of quality deterioration as data carriers are copied successively and, at the aforementioned time, to the social upheavals from ane generation to the next.

The inaugural exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Some other group testify, Jaguars and Electric Eels (2017), explored notions of indigeneity, of hybrids and synthetic forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-scale solo presentations supplement the drove exhibition program. In 2018, the JULIA STOSCHEK Collection, Berlin, presented a comprehensive exhibition by Arthur Jafa, his first in Deutschland. In improver to exhibitions, smaller projects, talks, and ongoing screenings regularly accompany the program. In that location are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK Collection should exist sent by east-post to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, pfau@jsc.fine art

The loan asking will exist processed if the post-obit atmospheric condition are met:

Loan requests must be made at least 6 months before the desired start of the loan period. The request must contain the following information and documents:

Name and address of the institution submitting the loan asking; name, function, phone number, postal accost and eastward-mail address of the contact person; verbal name of the requested work; flow, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the work is to be presented; a current facility study of the establishment.

Please annotation that works that take a reference to Electronic Arts Intermix in the Courtesy line may non be lend through the JULIA STOSCHEK COLLECTION. Please contact Electronic Arts Intermix, New York directly.

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for fourth dimension-based media (TBM) have changed drastically over the final ten years. Initially the medium—specifically videotapes and DVDs—was the primary focus of conservational attending. Just like whatsoever other materials, media are likewise susceptible to aging processes that in the long run can pb to harm or even the loss of works.

Yet aging is only one aspect of the problem. There are also file formats and complex technical installations that are based on estimator technologies or other hardware. All of these components can age: not only the media themselves are affected by the processes of disuse, but even the content can become unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adjusted in the production process of video artists. This is why in improver to the material-related risks, careful observation is necessary to ascertain which technologies take a promising futurity—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are and so transferred to a digital repository.

To run across all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the "three-pillar arroyo." The goal is to consolidate the heterogenous collection on a digital level in just a few established and homogeneous target formats. This noticeably reduces the conservation effort since only a manageable number of formats need to be regularly checked and monitored to safeguard against formats that are condign obsolete. This is flanked by private solutions for artworks that do non support a standardized procedure. On a digital level, multiple backups that are contained and redundant requite additional security, thus ensuring that the drove is preserved.

Media-Fine art Repository

The media art-depository is the center of the collection. Since fluctuating temperatures and humidity factors cause harm to videotapes and film, this was one of the nigh important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are likewise appropriate for flick and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK COLLECTION, has 2 airlocks: 1 prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They can acclimatize slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with brawl-bearing mountings, ensures that the infinite is used optimally. The floor has a stove-enamel finish and was checked for leftover magnetic accuse to eliminate all risks for the stored videotapes. In addition, the shelves are grounded to preclude any static electricity.

Since dust and air pollution represent a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors as well as an alert system simultaneously offer comprehensive adventure protection.

The elaborate technical amenities in combination with the custom mobile shelving brand the media-fine art repository unique in Europe.

Andreas Weisser

Time-based media conservator

Jacolby Satterwhite

one–8. En Plein Air Brainchild (full length characteristic), 2018

Katharina Sieverding

24/3/196/1973/97/A/B (Dice Sonne um Mitternacht schauen), 1973

Manuel Graf

thousand Jahre sind ein Tag, 2005

Katharina Sieverding

11/III/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Christian Jankowski

16 mm Mystery, 2004

Christoph Schlingensief

18 Bilder pro Sekunde (Dokumentation der Ausstellung im Haus der Kunst, München), 2007

Roxy Paine

182212102002B, 2002

Jeppe Hein

2-Dimensional Mirror Labyrinth, 2006

Katharina Sieverding

26/Iii/196/1973/97/A/B (Die Sonne um Mitternacht schauen), 1973

Charles Richardson

27th March, 2015

A

Wu Tsang

A day in the life of bliss, 2014

David Wojnarowicz

A Fire In My Abdomen (Motion-picture show In Progress) and A Burn In My Belly (Excerpt), 1986–1987

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. 14 performances Relation Piece of work (1976–1980), 1976–1980.

Relation in Space, 1976

Talking about Similarity, 1976

Animate in, Animate out, 1977

Imponderabilia, 1977

Expansion in Space, 1977

Relation in Motility, 1977

Relation in Time, 1977

Calorie-free/Dark, 1977

Balance Proof, 1977

AAA-AAA, 1978

Incision, 1978

Kaiserschnitt, 1978

Charged Space, 1978

Iii, 1978

Ulay & Marina Abramović

A Performance Anthology. Abramović/Ulay. Activeness in 14 predetermined sequences, 1976.

There is a Criminal Touch to Art, 1976

Ulay & Marina Abramović

A Functioning Anthology. Abramović/Ulay. Four performances by Abramović (1975–1976), 1975–1976.

Art must be beautiful, Artist must exist cute, 1975

Freeing the Voice, 1976

Freeing the Retentiveness, 1976

Freeing the Body, 1976

Helen Benigson

A Rude Daughter Arse Glistens Like Silicone. Cluck, Cluck, Cluck 1, 2015

Helen Benigson

A Rude Girl Arse Glistens Similar Silicone. Cluck, Cluck, Cluck ii, 2015

Helen Benigson

A Rude Daughter Arse Glistens Like Silicone. Cluck, Cluck, Cluck 3, 2015

Helen Benigson

A Rude Girl Arse Glistens Similar Silicone. Cluck, Cluck, Cluck 4, 2015

Helen Benigson

A Rude Girl Arse Glistens Similar Silicone. Cluck, Cluck, Cluck 5, 2015

Helen Benigson

A Rude Girl Arse Glistens Like Silicone. Cluck, Cluck, Cluck 6, 2015

Hannah Perry

aahhhhhh, 2015

Basel Abbas & Ruanne Abou-Rahme

Elmgreen & Dragset

Adaptation, Fig. 20

DAS INSTITUT

Adele Röder For DAS INSTITUT Starline, 2010

Christoph Schlingensief

Affenbilder, 2005

Christoph Schlingensief

Affenführer, 2005

Leo Gabin

Ain't Gon Practise It, 2015

Pipilotti Rist

Als der Bruder meiner Complain geboren wurde, duftete es nach wilden Birnenblüten vor dem braungebrannten Sims, 1992

Peter Weibel

Als Fuji noch ein Berg war, 1990

Lutz Mommartz

Als wär's von Beckett, 1975

Francis Alÿs & Rafael Ortega

David Claerbout

American Car, 2004

Matthew Buckingham

Amos Fortune Road, 1996

Matt Copson

Anarchist, 2015

Jacky Connolly

Anhedonia (full length feature), 2017

Ana Mendieta

Anima, Silueta de Cohetes (Firework Slice), 1976

Kerstin Brätsch, Adele Röder

Announcement Poster one and two, 2011

DAS INSTITUT

Apes and Shapes (I'll encounter you again in 25 years), 2011

Vito Acconci

Applications, 1970

Colin Montgomery

Arlington National Cemetery (JFK funeral model), 2005

Bruce Nauman

Art Make-Upward, 1967–1968

Art Make-Up, No. 1, White, 1967

Fine art Make-Up, No. two, Pinkish, 1967

Art Make-Up, No. 3, Green, 1967–1968

Art Make-Up, No. four, Blackness, 1967–1968

Cyprien Gaillard

Artefacts, 2011

Natascha Sadr Haghighian

Artificial Life, 1995

Elizabeth Price

At the House of Mr. X, 2007

Barbara Hammer

Audience, 1982

B

Thomas Demand

Badezimmer (Bathroom), 1997

John Baldessari

Baldessari sings LeWitt, 1972

Claus Föttinger

Barbarella, Matmos and Chief of Matmos, 2006

Christoph Westermeier

Barbarian + Classics, 2012

Sigalit Landau

Barbed Hula, 2000

Manfred Pernice

barriere ‚Tiefengarage', 2008

Ed Fornieles

Bathing, 2015

Sophia Al-Maria

Beast Type Song, 2019

Francis Alÿs

Beggars, 2004

Jeremy Shaw

Best Minds Function One, 2007

Clemens von Wedemeyer

Big Business + The Making of Big Business, 2002

Big Business, 2002

The Making of Big Business, 2002

Mary Lucier

Bird'southward Center, 1978

Paul McCarthy

Black and White Tapes, 1970-1975

Ma Bong, 1971

Painting Face Down – White Line, 1972

Spit – Not Looking at the Camera, 1974

Spinning, Short segment of 20-minute Tape, 1970–71

Whipping the Wall with Paint, 1975

Upward Down Penis Testify, 1974

Zippedy Doo Dance, 1974

Icicle Slobber, 1975

Piping Shadow, 1975

Upside Down Spitting – Bat, 1975

Drawing – Semen Drawing, 1975

Spitting on the Camera Lens, 1974

Upside Down Pipe, 1975

Bruce Nauman

Black Balls, 1969

Christoph Westermeier

Blaker, 2011

Jesper Just

Bliss and Heaven, 2004

Doug Aitken

Blow Droppings, 2000

Pipilotti Rist

Blutclip, 1993

Ian Cheng

BOB (Bag of Beliefs), 2018–2019

Hannah Black

Bodybuilding, 2015

Adam Putnam

Bookshelf, 1997

Matt Copson

Booty Telephone call, 2015

Nam June Paik

Born Again, 1991

Bruce Nauman

Billowy Balls, 1969

Bruce Nauman

Bouncing in the Corner No. 1, 1968

Bruce Nauman

Bouncing in the Corner, No. 2: Upside Down, 1969

Bruce Nauman

Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, 1967–1968

Matt Copson

Broadcast, 2015

Doug Aitken

Broken Drinking glass in the Slipstream, 2003

Lonnie van Brummelen & Siebren de Haan

Reynold Reynolds & Patrick Jolley

Burn, 2002

A.One thousand. Burns & A.Fifty. Steiner

Peter Fischli & David Weiss

Büsi, 2001

Joseph Beuys

Buttocklifting (Edition Staeck), 1974

C

Taryn Simon

CALVIN WASHINGTON, C&E Motel, Room No. 24, Waco, Texas. Where an informant claimed to have heard Washington confess. Served 13 years of a life sentence for capital murder, 2002

Karl Wilhelm Diefenbach

Capri, 1911

Till Gerhard

Helm America, 2004

Cemile Sahin

car, road, mountain, 2020

Charles Richardson

Carramesh, 2015

Julius Shulman

Case Written report Business firm #22. Los Angeles, CA, Pierre Koenig Architect, 1960

Andreas Gursky

Centre Pompidou, 1995

Richard Artschwager

Chair/Chair, 1980

Richard Artschwager

Chair/Chair, 1980

Mika Rottenberg

Chasing Waterfalls. The Ascent and Fall of the Astonishing Seven Sutherland Sisters, 2006

Mark Leckey

Cinema-in-the-Circular, 2006–2008

Cyprien Gaillard

Cities of Gold and Mirrors, 2009

Ed Fornieles

Climbing, 2015

Andreas Gursky

Cocoon 2, 2008

Catherine Opie

Deputed Portrait: Julia and Jacob, 2019

A.K. Burns & A.L. Steiner

Community Activeness Center, 2010

Ulay & Marina Abramović

Continental Videoseries. Abramović/Ulay (1983–1986), 1983–1986.

City of Angels, 1983

Terra Degla Dea Madre, 1984

Last Garden, 1986

China Ring, unedited video notebook, 1988

Michael Snow

*Corpus Callosum, 2002

Vito Acconci

Corrections, 1970

Jane Crawford & Robert Fiore

James Richards & Leslie Thornton

Crossing, 2016

Kandis Williams

cruz: or, every bit Spillers puts information technology, „the captive torso becomes the source of an irresistible, destructive sensuality", 2020

Brock Enright

Crystal Anarchy Sign (pink), 2007

D

Bruce Nauman

Dance or Exercise on the Perimeter of a Square (Square Dance), 1967–1968

Klaus vom Bruch

Das Alliiertenband, 1982

Clemens von Wedemeyer

Das Bildermuseum brennt, 2004/05

Leo Gabin

Appointment Yourself, 2015

Ed Atkins

Decease Mask Two: The Aroma, 2010

Ed Atkins

Death Mask Three, 2011

Jessica Mein

DeleveleD, 2007

Asier Mendizabal

Delimitar #1, 2009

Asier Mendizabal

Delimitar #2, 2009

Asier Mendizabal

Delimitar #iii, 2009

Asier Mendizabal

Delimitar #iv, 2009

Asier Mendizabal

Delimitar #5, 2009

Ed Atkins

Delivery to the Post-obit Recipient Failed Permanently, 2011

Jan Paul Evers

Der Abstand zwischen den Gipfeln menschlicher Möglichkeiten, 2011

Tobias Zielony

Der Brief (The Letter), 2013

Anthony Burdin

Desert Mix, „Go Run across um Black Feather", 2003

Josh Kline

Designer's Head in Tim Coppens (Tim), 2013

Cyprien Gaillard

Desniansky Raion, 2007

Monica Bonvicini

Destroy She Said, 1998

Thomas Demand

Details (Sportscar), 2005

Frances Stark

Detumescence and/or its Opposite (from a Torment of Follies), 2012

Jana Euler

Die Höhle aus Löwen, 2013

Christian Jankowski

Die Jagd, 1992/1997

Till Gerhard

Die Ordnung der Dinge, 2004

Lutz Mommartz

Dice Treppe, 1967

STURTEVANT

Dillinger Running Series, 2000

Christoph Steinmeyer

Disco Inferno Edition, 2008

Adam Putnam

Dish Cabinet, 1997

Timur Si-Qin

Display (Peace), 2015

Joan Jonas

Disturbances, 1974

Nathalie Djurberg & Hans Berg

Chloe Wise

do y'all really recall he fingered her, 2015

Chris Burden

Documentation of selected works, 1971–1975

Deadman, 1972

Bed Piece, 1972

Through the Dark Softly, 1973

Icarus, 1973

Shoot, 1971

Thorben Eggers

Doppelseite, 2015

Sophie Calle

Double Blind, 1992

Thiago Rocha Pitta

Double fountain or cooked landscape, 2005

Barbara Hammer

Double Forcefulness, 1978

Jon Rafman

Dream Journal 2016 – 2019, 2019

Alex Müller

Drei Finger Dick, 2005

Helen Marten

Dust and Piranhas, 2011

Due east

Rosemarie Trockel

Egg-trying to go warm (Versuch nach Mach), 1994

Rosemarie Trockel

Ei-Dorado, 1992/1998

Martin Honert

Eisbär, 1995/2001

STURTEVANT

Rubberband Tango, 2010

Colin Montgomery

Emergency Doors (Smithsonian American History Museum), 2006

Ian Cheng

Emissary Forks At Perfection, 2015

Ian Cheng

Emissary in the Squat of Gods, 2015

Ian Cheng

Emissary Sunsets The Self, 2017

Paul Pfeiffer

Empire, 2004

Natascha Sadr Haghighian

Empire of the Senseless Part II, 2006

Nam June Paik

EMPIRE STATE Edifice, 1995

Encyclopedia Pictura & Björk

Pipilotti Rist

(Entlastungen) Pipilottis Fehler, 1988

Rob Pruitt

Camaraderie de Corps: Guitar Jam, 2006

Kandis Williams

Eurydice, 2018

Ed Atkins

Even Pricks, 2013

Mathilde Rosier

Every 24-hour interval the Same, 2002

Helen Marten

Evian Disease, 2012

Martti Kalliala & Daniel Keller

Exitscape 1, 2015

Martti Kalliala & Daniel Keller

Exitscape two, 2015

Martti Kalliala & Daniel Keller

Exitscape three, 2015

Martti Kalliala & Daniel Keller

Exitscape 4, 2015

Martti Kalliala & Daniel Keller

Exitscape 5, 2015

Martti Kalliala & Daniel Keller

Exitscape six, 2015

Charles Richardson

Extra, 2015

Mike Kelley

Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011

Mike Kelley

Extracurricular Activity Projective Reconstruction #36 (Vice Anglais), 2011

F

VALIE Consign

Facing a Family unit, 1971

Hito Steyerl

Manufactory of the Sun, 2015

Ed Fornieles

Falling, 2015

Patty Chang

Fan Dance, 2003

Leo Gabin

Fast Lost by Ho Ho Click, 2015

Tracey Emin

Experience Your Touch, 2016

Mark Leckey

Felix Gets Broadcasted, 2007

Lynda Benglis

Female person Sensibility, 1973

Moritz Wegwerth

Fenster, 2013

Laurel Nakadate

Fever Dream with Rabbit, 2009

GCC

Figure A: Confederate Urban center, 2013

Asier Mendizabal

Figures and Prefigurations (Defined, A. Rodchenko, 1930, Political Football), 2009

Asier Mendizabal

Figures and Prefigurations (Divers, V. Palladini, 1926), 2009

STURTEVANT

Finite/Space, 2010

Mark Leckey

Fiorucci Fabricated Me Hardcore, 1999

Peter Fischli & David Weiss

Jack Smith

Flaming Creatures, 1962/63

Josh Kline

Forever 27 (Kurt), 2013

Josh Kline

Forever 48 (Whitney), 2013

Paul Pfeiffer

Four Horsemen of the Apocalypse (fifteen), 2004

Paul Pfeiffer

Iv Horsemen of the Apocalypse (16), 2004

Keren Cytter

Four Seasons, 2009

Claus Föttinger

Frail-Bar, 2008

Aaron Immature

Liberty Fries, 2005

Aaron Immature

Freeformdome, 2003

Wolfgang Tillmans

Freischwimmer 21, 2004

Charles Richardson

Friend, 2015

WangShui

From Its Oral cavity Came a River of High-End Residential Appliances, 2018

Alex McQuilkin

Fucked, 1999

Carolee Schneemann

Fuses, 1964–1967

Thou

Andreas Gursky

Gasherd, 1980

Oliver Payne & Nick Relph

Gentlemen, 2003

Hannah Wilke

Gestures, 1974

Bernadette Corporation

Get rid of yourself, 2003

Alex McQuilkin

Get Your Gun Upwardly, 2002

Jen DeNike

Girls like me, 2006

Nam June Paik

Global Groove, 1973

Rob Pruitt

Global Warming, 2006

Matt Calderwood

Gloss, 2004

Torbjørn Rødland

Goldene Tränen, 2002

Aaron Immature

Skilful Boy, 2001

Heike Baranowsky

Gras, 2001

Marking Leckey

GreenScreenRefrigerator, 2010

January Paul Evers

Große rekursive Funktion, 2010

Lonnie van Brummelen & Siebren de Haan

Grossraum (Borders of Europe), 2004/05

Klara Lidén

Grounding, 2018

H

Charles Atlas

Hail the New Puritan, 1985/86

Monica Bonvicini

Hammering Out (an old statement), 1998–2003

Klara Lidén

Handicap (Konst Fack), 2007

Hannah Wilke

Hannah Wilke Through the Large Glass, 1976

Claus Föttinger

Hanoi/Saigon, 2007

Paul Chan

Happiness (Finally) After 35,000 Years of Culture (afterwards Henry Darger and Charles Fourier), 2000–2003

Asier Mendizabal

Hard Edge 4, 2010

Aureola Rosenberg

Harmony Korine/Carmen, 1998

Bill Viola

Hatsu-Yume (First Dream), 1981

Anthony Burdin

He Ain't No Fuckin' Drumma, Summertime P-lot Tour 2003, Oxnard CA (ane. Light My Burn down, ii. Kashmiur), 2003

Wolfgang Tillmans

Heartbeat/Armpit, 2003

Paul McCarthy & Mike Kelley

Heidi, 1992

Hannah Wilke

How-do-you-do Boys, 1975

Trisha Baga

Hercules, 2012

Aaron Young

Loftier Functioning, 2000

Florian Meisenberg

hihihihihihihihihihihih, 2015

Cao Fei

Hip Hop Guangzhou, 2003

Christian Jankowski

Hollywoodschnee, 2004

Nancy Holt & Robert Smithson

Thiago Rocha Pitta

Homage to JMW Turner, 2002

Jack Smith

Hot Air Specialists, 1980s

Peter Fischli & David Weiss

Hunde, 2003

Lina Lapelytė

Hunky Bluff ACT 1, 2015

Lina Lapelytė

Hunky Bluff ACT two, 2015

Lina Lapelytė

Hunky Bluff ACT 3, 2015

Lina Lapelytė

Hunky Bluff Deed four, 2015

Lina Lapelytė

Hunky Bluff Deed v, 2015

Lina Lapelytė

Hunky Barefaced Human activity six, 2015

I

Sean Bluechel

I am in beloved with a succubus, 2006

Jeremy Shaw

I CAN SEE FOREVER, 2018

Tracey Emin

I Tin can't Love Anymore, 2016

Rindon Johnson

I First you (eleven/xi), 2018

Britta Thie

„I googled my mom and was relieved that she is still prophylactic", 2016

Beatrice Gibson

I Hope I'M LOUD WHEN I'M Expressionless, 2018

Tracey Emin

I Lay Here, 2016

Christoph Schlingensief

I want to destroy, 2005

Claus Föttinger

I Want To Run into How You See, 2010

Barbara Hammer

I Was/I Am, 1973

Cao Fei

i.Mirror by Mainland china Tracy (AKA: Cao Fei), 2007

Aaron Young

I.P.O (25 Offerings), 2006

Philip Topolovac

I've Never Been to Berghain, 2016

Pipilotti Rist

I'm a Victim of This Vocal, 1995

Pipilotti Rist

I'm not the Girl who misses much, 1986

Britta Thie

„If something turns into hype that once saved you, information technology feels like y'all are back on the Titanic again. But Jack Dawson has already left you", 2016

Loretta Fahrenholz

Implosion, 2011

Timur Si-Qin

In Memoriam 9, 2015

Stephen Vitiello

In The Woods, 2015

Gary Hill

Incidence of Ending, 1987–1988

Alex McQuilkin

Indefinite Line Towards Becoming the Perfect SoHo Daughter, 2000

Lawrence Weiner

Inherent in the Rhumb Line, 2005

Matt Copson

Inherited Arrears, 2015

Hannah Wilke

Intercourse with …, 1978

Britta Thie

„Interfaces get our weather", 2016

Doug Aitken

Interiors, 2002

Rosemarie Trockel

Interview, 1994

Nandipha Mntambo

Intsandvokati, 2008

Thiago Rocha Pitta

Inverted zenith, 2005

Nathalie Djurberg & Hans Berg

It's the Female parent, 2008

Britta Thie

„It's all skilful in Italics", 2016

J

Lutz Bacher

James Dean, 1986/2014

Hernan Bas

Jetsam from the wreck of the Half Moon, 2016

Richard Phillips

Julia, 2014

Candida Höfer

Julia Stoschek Collection Düsseldorf VIII, 2008

Candida Höfer

Julia Stoschek Drove Iv, 2008

Jack Smith

Jungle Island, 1967

Tracey Emin

Merely Let Me Beloved You, 2016

K

K-Hole

Thou-Hole for teaching, 2016

Martti Kalliala & Daniel Keller

Klara Lidén

Kasta Macka, 2009

Wolfgang Tillmans

Kate McQueen, 1996

Hannah Perry

continue the peace, 2015

Till Gerhard

Kleiner Hunger, 2006

Cyprien Gaillard

KOE, 2015

VALIE EXPORT

Körperkonfiguration, 1982

Franz West

Künstlerstuhl K095, 2011

Franz West

Künstlerstuhl K104, 2011

Franz West

Künstlerstuhl K107, 2011

Franz West

Künstlerstuhl K108, 2011

Franz West

Künstlerstuhl K116, 2011

Franz Westward

Künstlerstuhl K117, 2011

Franz West

Künstlerstuhl K118, 2011

Franz West

Künstlerstuhl K121, 2011

Franz West

Künstlerstuhl K122, 2011

Franz W

Künstlerstuhl K126, 2011

Franz Westward

Künstlerstuhl K130, 2011

Franz West

Künstlerstuhl K131, 2011

Fifty

Cyprien Gaillard

L'Ange du foyer (Vierte Fassung), 2019

Wolfgang Tillmans

LA still life, 2001

Mark Manders

Large Effigy with Sparse Newspaper, 2010

Taryn Simon

LARRY MAYES Scene of arrest, The Purple Inn, Gary, Indiana. Law found Mayes hiding beneath a mattress in this room. Served 18.5 years of an lxxx-twelvemonth sentence for rape, robbery and unlawful deviate conduct, 2002

Tobias Zielony

Le Vele di Scampia, 2009

Marcel Dzama

Leila Khaled does not need me, 2008

Marie-Jo Lafontaine

Les Larmes d'Acier, 1988

Keren Cytter

Les Ruissellements du Diable, 2008

Hannah Perry

let get beat, 2015

Rachel Maclean

Permit It Go – Function 1, 2015

Rachel Maclean

Permit Information technology Go – Office 2, 2015

Rachel Maclean

Let It Go – Part 3, 2015

Rachel Maclean

Let It Become – Part 4, 2015

Rachel Maclean

Let It Go – Role 5, 2015

Rachel Maclean

Allow Information technology Go – Role six, 2015

Matt Copson

Letter from War, 2015

Matt Calderwood

Calorie-free, 2004

Claus Föttinger

Light Object Jaguars and Electric Eels, 2017

Claus Föttinger

Light Object Kill, 2014

Claus Föttinger

Low-cal Object No. 1: Destroy, She Said, 2007

Claus Föttinger

Light Object No. x: Trisha Donnelly, 2015

Claus Föttinger

Low-cal Object No. eleven: Cyprien Gaillard, 2015

Claus Föttinger

Lite Object No. 12: Hello Boys, 2016

Claus Föttinger

Light Object No. 13: Hito Steyerl – Missed Connections, 2016

Claus Föttinger

Light Object No. 2: Frail, 2008

Claus Föttinger

Calorie-free Object No. iii: Here and Now, 2009

Claus Föttinger

Calorie-free Object No. 4: Derek Jarman – Super8, 2010

Claus Föttinger

Light Object No. 6: Flaming Creatures, 2012

Claus Föttinger

Light Object No. 7: Ed Atkins – Frances Stark, 2013

Claus Föttinger

Light Object No. 8: Sturtevant, 2014

Claus Föttinger

Light Object Welt am Draht, 2016

Claus Föttinger

Calorie-free Object: Arthur Jafa – A Series of utterly improbable, extraordinary renditions, 2018

Matt Calderwood

Lightning, 2005

Jeremy Shaw

Liminals, 2017

Anthony McCall

Line Describing a Cone, 1973

Bruce Nauman

Lip Sync, 1969

Hito Steyerl

Lovely Andrea, 2007

Christoph Westermeier

Lüster, 2011

Thousand

Mark Leckey

Fabricated in 'Eaven, 2004

Kate Gilmore

Master Squeeze, 2006

Britta Thie

„MALL-E", 2016

Bunny Rogers

Mandy's Piano Solo in Columbine Cafeteria, 2016

Tobias Zielony

Maskirovka, 2017

Mathilde ter Heijne

Mathilde, Mathilde, 2000

Paul McCarthy & Mike Kelley

Christoph Schlingensief

Message in a Canteen, 2008

Aura Rosenberg

Mike Kelley/Carmen, 1996

Kader Attia

Mimesis as Resistance, 2013

Meriem Bennani

MISSION TEENS: French School in Morocco, 2019

Ulay & Marina Abramović

Modus Vivendi. Abramović/Ulay (1979–1986), 1979–1986.

Communist Body/Fascist Body, 1979

That Self, 1980

Anima Mundi, 1983

Positive Zip, 1983

Modus Vivendi, 1985

Nighttime See Crossing Conjunction, 1983

The Observer with Remy Zaugg, 1984

Pep Agut

Monday ombre est un mur, 1996

Heike Baranowsky

Mondfahrt, 2001

Nancy Holt

Mono Lake, 1968-2004

Simon Denny

Multimedia Double Canvas progression, 2009

Multimedia Double Sail Toshiba, 2009

Multimedia Double Canvas Thomson, 2009

Multimedia Double Sail Tevion, 2009

Multimedia Double Canvas Hantarex, 2009

Multimedia Double Canvas Philips, 2009

Multimedia Double Canvas Samsung, 2009

Frances Stark

My All-time Thing, 2011

Kate Gilmore

My Love is an Ballast, 2004

Loretta Fahrenholz

My Pharynx, My Air, 2013

N

Asier Mendizabal

N,S,O,T,C, 2008

Wolfgang Tillmans

nackt, 2003

Christoph Westermeier

Nancy, Pamela, Thomas, Diana, Unity, Jessica, Deborah, 2011

Cao Guimarães

Nanofania, 2003

Charles Richardson

Needles, 2015

Andro Wekua

Never Sleep with a Strawberry in Your Rima oris, 2010

Douglas Gordon

New Colour Empire, 2006–2010

Douglas Gordon

New Colour Empires, 2006–2010

Cyprien Gaillard

Nightlife, 2015

Barbara Hammer

No No Nooky T.Five., 1987

Jack Smith

No President, 1967–1970

Bjørn Melhus

No Sunshine, 1997

Jack Smith

Normal Love, 1963–1965

Frances Stark

Nothing is enough, 2012

Hito Steyerl

November, 2004

O

Katharina Sieverding

o.T., 1990

Ilit Azoulay

Object #1, 2015

Ilit Azoulay

Object #2, 2015

Ilit Azoulay

Object #3, 2015

Ilit Azoulay

Object #4, 2015

Ilit Azoulay

Object #v, 2015

Ilit Azoulay

Object #6, 2015

Cyprien Gaillard

Body of water Ii Ocean, 2019

Jon Rafman

Oh the humanity, 2015

Matt Copson

Oh-reg-ah-no, 2015

Alexander Bornschein

Ohne Titel, 2011

Claus Föttinger

Ohne Titel, 2004

Franz West

ohne Titel (L28), 2006

Franz West

ohne Titel (L31), 2006

Takeshi Murata

OM Making it Pelting, 2015

Takeshi Murata

OM Rider, 2015

Wolfgang Tillmans

Omen, 1991

Till Gerhard

Online Polonäse, 2006

Vito Acconci

Openings, 1970

Frances Stark

Osservate, leggete con me, 2012

Jack Smith

Overstimulated, 1959–1963

P

Paper Rad

P-Unit of measurement Mixtape, 2005

Seth Price

„Painting" Sites, 2000/01

Rachel Rose

Palisades, 2015

Palisades in Palisades, 2014

Palisades (audio piece), 2015

A Minute Agone, 2014

Carol Bove

Panegyric (Faddy Photocollage), 2003

Klara Lidén

Paralyzed, 2003

Ed Atkins

Paris Green, 2009

Meriem Bennani

Party on the CAPS, 2018

Jamie Crewe

Pastoral Drama, 2018

Oliver Payne & Nick Relph

Wolfgang Tillmans

Peas, 2003

Dan Graham

Performer/ Audience/ Mirror, 1975

Pipilotti Rist

Pickelporno, 1992

Jan Paul Evers

Place de Pyramide, 2009

Barbara Hammer

Identify Mattes, 1987

Takeshi Murata

Establish Whisperer, 2015

Bruce Nauman

Playing A Annotation on the Violin While I Walk Effectually the Studio, 1967–1968

Julia Scher

Please Feel Free (The Ecology of Visibility), 2020

Bunny Rogers

Poetry reading in Columbine Library with Joan of Arc / Poetry reading with Gazlene Membrane in Columbine Cafeteria, 2014

Jon Rafman

Poor Magic, 2017

Dara Birnbaum

Pop Pop Video, 1980

Guerrilla Girls

Portfolio Compleat, 1985–2016

Jan Paul Evers

Portrait Julia Stoschek, 2011

Ryan Gander

Portrait Of A Colour Blind Creative person Obscured Past Flowers, 2016

Clegg & Guttman

Portrait of a Lady, 2018

Thomas Ruff

Porträt 2009 (J. Stoschek), 2009

Elmgreen & Dragset

Powerless Structures, Fig. 101 (Maquette), 2015

Gary Colina

Primarily Speaking, 1981–1983

Hannah Perry

Princess & princesses, 2015

Gordon Matta-Clark

Programme Five, 1972–1976

Automation House, 1971

Clockshower, 1973

City Slivers, 1976

Dennis Oppenheim

Program One: Aspen Projects, 1970

Material Interchange, 1970

Identity Transfer, 1970

Rocked Hand, 1970

COMPRESSION – FERN #1, 1970

Pressure Slice #1, 1970

Glassed Mitt, 1970

Pinch – Poison Oak, 1970

Compression – FERN #2, 1970

Leafed Paw, 1970

Gordon Matta-Clark

Program One: Chinatown Voyeur, 1971

Gordon Matta-Clark

Program Seven, 1974–2005

Sous-Sols de Paris (Paris Secret), 1977–2005

Conical Intersect, 1975

Gordon Matta-Clark

Programme Half-dozen, 1974–1976

Substrait (Underground Dailies), 1976

Bingo/Ninths, 1974

Splitting, 1974

Dennis Oppenheim

Program Six, 1971/72

Forming Sounds, 1971

2 Stage Transfer Drawing (Advancing to Hereafter State), 1971

2 Stage Transfer Cartoon (Retreating to a Past State), 1971

A Feedback Situation, 1972

3 Stage Transfer Drawing, 1971

2 Stage Transfer Drawing (Returning to a Past State), 1971

Objectified Counterforces, 1971

Shadow Projection, 1971

Gordon Matta-Clark

Program Three, 1971–1975

Burn down Child, 1971

Fresh Impale, 1972

Day's Stop, 1975

Johanna Billing

Project for a Revolution, 2000

Imi Knoebel

Projektion X, 1972

Imi Knoebel

Projektion X Remake, 2005

Barbara Hammer

Psychosynthesis, 1975

Bruce Nauman

Pulling Mouth, 1969

Takeshi Murata

Pumpjack Popeye, 2015

Q

Jeremy Shaw

Quickeners, 2014

R

James Richards

Radio At Night, 2015

Stephen Vitiello

Ratner's Star, 2015

Francis Alÿs in collaboration with Rafael Ortega

Rehearsal I (Ensayo I), 1999-2001

Claus Föttinger

Remix Luhmanneck for Cities of Gold and Mirrors, 2011

Kon Trubkovich

Repeat Offenders, 2006

Wolfgang Tillmans

Resolute Rave, 2015

Jack Smith

Respectable Creatures, 1950–1966

Dara Friedman

Revolution, 2003

Reynold Reynolds & Patrick Jolley

Florian Meisenberg

rghwori, 2015

Andreas Gursky

Rhein Two, 1999

James Richards & Leslie Thornton

Clemens von Wedemeyer & Maya Schweizer

Rien du tout, 2006

Thiago Rocha Pitta

Rio de Janeiro X Sao Paulo, air trip with highway time or addressless honey letter, 2005

Cao Fei

RMB City – A Second Life City Planning past China Tracy, 2007

Pierre Klossowski

Roberte aux barres parallèles, 1984

Dan Graham

Rock my Faith, 1982-84

Taryn Simon

RONALD JONES Scene of arrest, S Side, Chicago, Illinois. Served eight years of a death judgement for Rape and Murder, 2002

Jane Crawford & Robert Fiore

Rundown, 1994

S

Barbara Hammer

Sanctus, 1990

Trisha Donnelly

Satin Operator, 2007

Heike Baranowsky

Schwimmerin, 2000

Trisha Donnelly

Sconce, 2013

Jack Smith

Scotch Record, 1959–1962

Matt Calderwood

Screen, 2005

Julia Scher

Security By Julia (Dispenser), 2020

Lutz Mommartz

Selbstschüsse, 1967

Timur Si-Qin

Selection Brandish: Bequeathed Prayer, 2011, 2011

William Wegman

Selections from 1970–78, 1981

Andreas Korte

Self Coded, 2008

Klara Lidén

Self Portrait with the Keys to the Metropolis, 2005

Elmgreen & Dragset

Self-Portrait, No.41, 2016

Sarah Lucas

Selfish In Bed Ii, 2000

Martha Rosler

Semiotics of the kitchen, 1975

Lutz Bacher

Sex with Strangers, 1986

Pipilotti Rist

Sexy Sad I, 1987

Marking Leckey

Shades of Destructors, 2005

Patty Chang

Shaved (At A Loss), 1998

Tracey Emin

She Lay There, 2016

Peggy Ahwesh

She Puppet, 2001

Chloe Wise

she's so talented, 2015

Jen DeNike

Shipwreck, 2005

Andro Wekua

Should exist titled, 2010/2011

Chloe Wise

should I add an emoji, 2015

Hannah Perry

sick off smoke, 2015

Clemens von Wedemeyer

Silberhöhe + Die Siedlung, 2003/04

Silberhöhe, 2003

Die Siedlung, 2004

Ed Ruscha

Sin-Without, 2002

Ed Fornieles

Sitting, 2015

Tony Oursler

Sixth (Dusseldorf Variation), 2005-2007

Ed Fornieles

Sleeping, 2015

Jesper Just

Something to Love, 2005

Tracey Emin

Sometimes the clothes is worth more than money than the coin, 2001

Florian Meisenberg

somewhere_sideways, 2015

Tony Oursler

Son of Oil, 1982

Till Gerhard

Sondervorstellung, 2006

Nandipha Mntambo

Sondzela, 2008

Jack Smith

Song for Rent, 1969

Joan Jonas

Songdelay, 1973

Lutz Mommartz

Soziale Plastik, 1969

Robert Smithson

Spiral Jetty, 1970

Carsten Nicolai

Spray, 2004

Terence Koh

Sprungkopf, 2006

Bruce Nauman

Stamping in the Studio, 1968

Hashemite kingdom of jordan Wolfson

Star Field (month 25), 2004

Stephen Vitiello

Stars In My Pockets Like Grains Of Sand, 2015

Douglas Gordon

Staying habitation (xviii.14) and going out (21.14), 2005

Douglas Gordon

Staying home (18.16) and going out (21.16), 2005

Olivia Walsh

(Still) Doubt II, 2016

Matt Calderwood

Strips (vertical), 2005

Thiago Rocha Pitta

Sublimation, condensation, zenith and precipitation, 2005

Mathilde ter Heijne

Suicide Bomb, 2000

Carol Bove

Summertime Solstice, Düsseldorf, 2031, 2006

Nancy Holt

Sun Tunnels, 1978

Elizabeth Toll

Sunlight, 2013

Andreas Gursky

Supernova, 1999

Leo Gabin

Surfer Ho Remix, 2015

Laure Prouvost

Swallow, 2013

Nancy Holt & Robert Smithson

Swamp, 1971

Ed Fornieles

Swimming, 2015

Barbara Hammer

Synch Touch, 1981

T

Christiane Fochtmann

Talkshow, 2006

Andreas Korte

Tanzfilm, 2011

Matt Calderwood

Tape, 2005

VALIE Consign

Tapp- und Tastkino (Touch Cinema), 1968

Dara Birnbaum

Engineering science/Transformation: Wonder Woman, 1978/79

Alex McQuilkin

Teenage Daydream: In Vain, 2002-2003

Alex McQuilkin

Teenage Daydream: It'due south only Rock & Roll, 2002

Christian Marclay

Telephones, 1995

Takeshi Murata

Lawn tennis, 2015

Ed Atkins

The Anthrophagus!, 2010

Laure Prouvost

The Artist, 2010

Stephen Vitiello

The Bone Clocks, 2015

Terence Koh

The Camel was God, the Camel Was Shot, 2007

Melanie Gilligan

The Common Sense, 2014/fifteen

Leo Gabin

The Concept, 2015

Jen DeNike

The Deadman'south Bladder, 2005

Reynold Reynolds & Patrick Jolley

The Drowning Room, 2000

Lynn Hershman Leeson

THE ELECTRONIC DIARIES OF LYNN HERSHMAN LEESON 1984–2019, 1984–2019

Ant Farm & T.R. Uthco

The Eternal Frame, 1975

Nathalie Djurberg & Hans Berg

The Experiment, 2009

Cave, 2009

Wood, 2009

Greed, 2009

Anicka Yi

The Flavor Genome, 2016

Leo Gabin

The Center Wants, 2015

Marina Abramović

The Hero, 2000

Marina Abramović

The Hero, 2001

Chloe Wise

the hotel gave the states wine, 2015

Frances Stark

The Inchoate Incarnate: Subsequently a Drawing, Toward an Opera, merely Before a Libretto Even Exists, 2009

Basel Abbas & Ruanne Abou-Rahme

The Incidental Insurgents: The Role About the Bandits (Affiliate 2), 2012/xiii

Eleanor Antin

The Rex, 1972

Cyprien Gaillard

The Lake Arches, 2007

Juan Downey

The Laughing Alligator, 1979

Jesper Just

The Lonely Villa, 2004

Cory Arcangel

The Making of Super Mario Clouds, 2004

Amir Yatziv

The National Park, 2015

Douglas Gordon

The nature of relationships between few words, 2006

Marina Abramović

The Onion, 1996

Vito Acconci

The Red Tapes, 1977

Tape 1: Common Knowledge, 1977

Record 2: Local Color, 1977

Tape iii: Time Lag, 1977

Beak Viola

The Reflecting Pool – Nerveless Work 1977–eighty, 1977–80

The Reflecting Pool, 1977–79

Moonblood, 1977–79

Silent Life, 1979

Ancient of Days, 1979–81

Vegetable Memory, 1978–80

Asier Mendizabal

The Staff That Matters (30,000), 2009

Asier Mendizabal

The Staff That Matters (SI), 2009

Tobias Zielony

The Street (C.P.A.), 2013

Chris Burden

The T.5. Commercials, 1973-1977

Stephen Vitiello

The Waves, 2015

Tony Oursler

The Weak Bullet, 1980

Elizabeth Price

The Woolworths Choir of 1979, 2012

Hannah Perry

The worse yous feel the better I look, 2015

Stephen Vitiello

The Wrath of Angels, 2015

Florian Meisenberg

the_anciety_of_influence, 2015

Florian Meisenberg

the_tacit_one, 2015

Vito Acconci

Theme Song, 1973

Laure Prouvost

They Parlaient Idéale, 2019

Britta Thie

„Three Infomercials", 2016

Vito Acconci

3 Relationship Studies, 1970

Shadow-Play, 1970

Imitations, 1970

Manipulations, 1970

Peter Campus

Three Transitions, 1973

Hannah Perry

To say you feel something, 2015

Hannah Perry

besides loud and too wavy, 2015

Sarah Kürten

TOSS ME MY LIGHTER, COULD Y'all BABE?, 2020

Florian Meisenberg

towards_a_new_architecture, 2015

Jon Rafman

Transdimensional Ophidian, 2016

Manuel Acevedo

Tropisms – WTC (World Merchandise Center) Site, 2007

Isaac Julien

True Due north, 2004

Tony Oursler

Tunic (Vocal for Karen), 1990

Gwenn Thomas

Twilight, 1975

Dan Graham

Two-way Mirror Power, 2006

Manuel Graf

Über die aus der Zukunft fließende Zeit, 2006

U

Marcel Dzama

Untitled, 2008

Kurt Lightner

Untitled, 2004

Keren Cytter

Untitled, 2009

Nadim Vardag

Untitled, 2011

Trisha Donnelly

Untitled, 2005

Trisha Donnelly

Untitled, 2008

Trisha Donnelly

Untitled, 2010

Trisha Donnelly

Untitled, 2012

Trisha Donnelly

Untitled, 2011

Trisha Donnelly

Untitled, 2013

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Marcel Dzama

Untitled, 2008

Isa Genzken

Untitled, 2017

Jo Baer

Untitled, 1966-1974

Ed Atkins

Untitled (i), 2013

Ed Atkins

Untitled (2), 2013

Ed Atkins

Untitled (3), 2013

Ed Atkins

Untitled (iv), 2013

Ed Atkins

Untitled (5), 2013

Ed Atkins

Untitled (7), 2013

Ed Atkins

Untitled (viii), 2013

Ed Atkins

Untitled (nine), 2013

Adam McEwen

Untitled (A-Line), 2002

Paul Chan

Untitled (After St. Caravaggio), 2003–2006

Klara Lidén

Untitled (Column Monkey), 2010

Klara Lidén

Untitled (Down), 2011

Patty Chang

Untitled (For Abramović, Honey Cocteau), 2000

Trisha Donnelly

Untitled (mountain), 2008

Jules de Balincourt

Untitled (Pastoral Scene), 2006

Klara Lidén

Untitled (Trashcan), 2011

Klara Lidén

Untitled (Under Mattan), 2006–2010

Anne Imhof

Untitled (Wave), 2021

Jeff Burton

Untitled #151 (Lookout man Debate), 2001

Jeff Burton

Untitled #176 (Rods and Clamps), 2003

Jeff Burton

Untitled #182 (Spa Rules), 2003

Trisha Donnelly

Untitled I (Double Blastoff), 2007

Andreas Gursky

Untitled XII, No.4, 2000

Carolee Schneemann

Upwardly to and including her Limits, 1976

Ed Atkins

United states Dead Talk Beloved, 2012

Hannah Perry

Useless, 2015

Kurt Lightner

Useless Fruit, 2006

V

Charles Richardson

Vanish, 2015

Bruce & Norman Yonemoto

Vault, 1984

Joan Jonas

Vertical Roll, 1972

Nam June Paik

Video-Motion picture Concert, 1966-1972/1992

Colin Montgomery

View, 101 Constitution Avenue (U.S. Capitol), 2006

Bruce Nauman

Violin Picture #1 (Playing The Violin As Fast As I Tin can), 1967–1968

Steina Vasulka

Violin Power, 1970-76

Timur Si-Qin

Visit Mirrorscape 2016: Arrive, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Here, 2016

Timur Si-Qin

Visit Mirrorscape 2016: Now, 2016

Anthony Burdin

Voodoo Vocals, Agent of Fortune Cassette Tour 1999 – Don't Fearfulness the Reaper, New York, 11 / 22 / 02, 2002

Anthony Burdin

Voodoo Vocals, Bulldoze Hwy 101 North (ane. Y'all only alive twice, two. It was a very good year), 2005

Jan Paul Evers

Vorhang, 2010

W

Hannah Perry

Waiting here, 2015

Bruce Nauman

Walking in an Exaggerated Mode Around the Perimeter of a Foursquare, 1967–1968

Monica Bonvicini

Wallfuckin', 1995

Encyclopedia Pictura & Björk

Wanderlust, 2008

Thomas Bernstein

Wandler, 2007

Adam Putnam

Wardrobe, 1997

Ed Atkins

Warm, Warm, Warm Leap Mouths, 2013

Nathalie Djurberg & Hans Berg

Nosotros are not two, We are i, 2008

Chloe Wise

we had a traumatic threeway, 2015

Chloe Wise

nosotros've been drinking since noon, 2015

Guan Xiao

Weather condition Forecast, 2016

Clemens von Wedemeyer & Maya Schweizer

P. Staff

Weed Killer, 2017

Lutz Mommartz

Weg zum Nachbarn, 1968

Hannah Perry

What are y'all thinking virtually, 2015

Alex Morrison

What Does it Mean to Inhabit a Ruin?, 2013

Andrea Büttner

What is and so terrible about craft? / Die Produkte der menschlichen Hand, 2019

Christian Jankowski

What Remains, 2004

Olafur Eliasson

When Dear is not plenty Wall (Fragment), 2007

Aaron Immature

White Cons, 2003

Amalia Ulman

White Flag Emoji 1, 2015

Amalia Ulman

White Flag Emoji 2, 2015

Amalia Ulman

White Flag Emoji 3, 2015

Amalia Ulman

White Flag Emoji iv, 2015

Amalia Ulman

White Flag Emoji 5, 2015

Amalia Ulman

White Flag Emoji 6, 2015

Peter Weibel

Wind & fast forward, Realitätsspaltung, 1990

Takeshi Murata

Witch Rises, 2015

Maria Anna Dewes

Wolf, 2008

Jen DeNike

Wrestling, 2002

Leo Gabin

Write your name, 2015

Ten

Patriot Act, 2004

Heaven's footling Helper, 2005

Sentence Day, 2006

Exit Strategy, 2005

Y

Pipilotti Rist

Yous Called Me Jacky, 1990

Tracey Emin

You Must Have Hope, 2016

Z

Thomas Demand

Zaun (Fence), 2004

John Bock

Zezziminnegesang, 2006

Otto Mueller

Zwei Mädchen – Halbakte (Russisches Mädchenpaar), 1920

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Watch more than than 220 time-based media artworks by over 60 artists from the JULIA STOSCHEK COLLECTION online at JSC Collection Catalogue

ONLINE COLLECTION Itemize

The online collection catalog offers the opportunity to research and view over 890 works by 300 artists from the JULIA STOSCHEK Drove.

Over the next months, videos and films will be continually uploaded and made accessible online. They are accompanied by explanatory texts about the works. Or you can drop past our JSC Video Lounge directly.

A list of all attainable works can be plant by clicking on „viewable online" „nether Tags" and and so selecting „Works".

To date over220film-, video- and sound-based works by62artists from the drove can exist viewed in their entirety. Among the works in this first pick are pieces by John Bock, Monica Bonvicini, Klaus vom Bruch, Ian Cheng, Keren Cytter, Jen DeNike, Nathalie Djurberg & Hans Berg, Tracey Emin, Cao Fei, Fischli & Weiss, Dara Friedman, Kate Gilmore, Douglas Gordon, Christian Jankowski, Imi Knoebel, Klara Lidén, Lutz Mommartz, Elizabeth Price, Pipilotti Rist, Wolfgang Tillmans, Ryan Trecartin, Andro Wekua, and Tobias Zielony.

JSC'due south long-term goal is to brand the unabridged collection available online, thus creating a platform for time-based art that supports the accessibility and appointment of time-based art.

Nearly THE COLLECTION

"Many of the works in this collection construct multi-temporal worlds; they harbor non 1 flow of events, but a labyrinth of diverging paths, each with its ain footstep and temporality. The drove is thus a complex annal of temporalities, storing passed moments and layers of time that tin can be technically repeated, in principle an space number of times."

Daniel Birnbaum

from: Daniel Birnbaum, Repetitions, in Number One: Destroy, She Said (Ostfildern: Hatje Cantz Verlag, 2007), 12.

Established in 2002 by Julia Stoschek, the JULIA STOSCHEK Drove has grown to be an expansive collection of time-based art spanning pic, video, sound, functioning, and computer and software-based works. At present, over 860 artworks past more than 282 contemporary artists  across genres and generations offer an overview of time-based art from the 1960s to today with a potent focus on works made after 2000.

The term fourth dimension-based fine art (or time-based media) describes works of art that unfold in time. Time-based art therefore encompasses all artworks in which elapsing is a dimension and comprises film, video, unmarried- and multi-channel video installation, slide installations, multimedia environments, sound, operation, figurer and software-based artworks such as virtual and augmented reality, and other forms of technology-based art. These works are oft allographic, significant they are just visible when installed or projected.

At the JULIA STOSCHEK COLLECTION, early expanded movie theater, video, and functioning works by Bruce Nauman, Anthony McCall, Joan Jonas, or Marina Abramović meet Doug Aitken'southward video installations, Ian Cheng's live simulations, and Hito Steyerl's all-encompassing environments. The drove contains many artworks past pioneering female person and feminist artists and experimental filmmakers from the 1960s and '70s, among them Dara Birnbaum, VALIE EXPORT, Barbara Hammer, and Hannah Wilke. A younger generation of artists includes Ed Atkins, Loretta Fahrenholz, Cyprien Gaillard, Josh Kline, Jon Rafman, Rachel Rose, Mika Rottenberg, Anicka Yi, and Tobias Zielony, to proper name a few. The collection strives to build sustainable relationships with artists and galleries, focusing on cardinal works and groups of works fabricated throughout artists' careers, growing with and reflecting their evolving practise.

The drove is characterized by an ever-growing technological convergence and interdisciplinary approach: "The video fine art of today is theater, functioning, musical functioning, sculpture, projection, moving image, moving bodies, dance, stage, screen, real space, existent fourth dimension, all in one," writes Peter Weibel in the catalog accompanying the exhibition "High Performance," jointly organized by JULIA STOSCHEK Collection and ZKM | Centre for Art and Media in 2015. Bringing these fields together, the collection is unique in its heterogeneity, but certain themes still manifest across the collection, in works that address sociopolitical questions; identity politics; forms of narrative, fiction, and documentary; the trunk and representation; performativity and performance; the gaze; and the relationship betwixt our congenital environment and the natural earth.

Some of these themes have been explored in exhibitions and programs at the JULIA STOSCHEK Collection in Düsseldorf and Berlin, every bit well as at several international institutions. 27 big-scale exhibitions have taken identify at the drove's exhibitions spaces in Düsseldorf and Berlin since 2007. Among these were significant solo exhibitions by Derek Jarman, Sturtevant, Elizabeth Cost, Ed Atkins, Frances Stark, Trisha Donnelly, Cyprien Gaillard, Arthur Jafa, and Ian Cheng.

The first large-scale group exhibition at the collection, Number One: Destroy, She Said (2007–08), was named after a video installation by artist Monica Bonvicini and loosely explored the relationship between interior and outside, construction and destruction. Number Two: Fragile (2008–09) focused on the trunk and corporality, bringing together video, operation, and body fine art. Number Three: Here and Now (2009–10) was defended solely to performance and the ephemeral, with performances and concerts past some of the near prominent gimmicky artists working today scheduled all year long. Almost ten years later, Number Xiii: How-do-you-do Boys (2015–16) revisited performance and feminist video, questioning the representation of female person identity and the operation document. To gloat its tenth anniversary, the JULIA STOSCHEK Drove invited creative person Ed Atkins to curate a group exhibition in Düsseldorf, which he chosen Generation Loss (2017). The championship refers to the process of quality deterioration equally data carriers are copied successively and, at the same time, to the social upheavals from i generation to the next.

The countdown exhibition in Berlin, Welt am Draht (2016), addressed the influences and shifts in our social reality, identities, and environment effected by processes of digitalization. Another group show, Jaguars and Electrical Eels (2017), explored notions of indigeneity, of hybrids and constructed forms of life, the migration of the species, and our constantly changing perceptions of reality. Large-calibration solo presentations supplement the collection exhibition program. In 2018, the JULIA STOSCHEK COLLECTION, Berlin, presented a comprehensive exhibition past Arthur Jafa, his first in Germany. In addition to exhibitions, smaller projects, talks, and ongoing screenings regularly back-trail the program. In that location are two cinemas in Düsseldorf equipped to screen 16mm and 35mm films in their original format.

LOAN REQUESTS

Loan requests for works of the JULIA STOSCHEK Drove should be sent by e-mail to Anna-Alexandra Pfau, Head of JSC Düsseldorf & Sammlung, pfau@jsc.fine art

The loan asking will be processed if the following conditions are met:

Loan requests must be made at to the lowest degree 6 months before the desired beginning of the loan period. The request must contain the following data and documents:

Name and address of the institution submitting the loan request; name, function, telephone number, postal address and email accost of the contact person; exact proper name of the requested work; period, name of the exhibiting institution and location of the exhibition; detailed exhibition or project description in which the piece of work is to be presented; a electric current facility written report of the institution.

Please note that works that have a reference to Electronic Arts Intermix in the Courtesy line may not be lend through the JULIA STOSCHEK Collection. Please contact Electronic Arts Intermix, New York directly.

RESTORATION & PRESERVATION

Long-Term Archiving

The conservation requirements for time-based media (TBM) take changed drastically over the concluding 10 years. Initially the medium—specifically videotapes and DVDs—was the primary focus of conservational attention. Just like any other materials, media are as well susceptible to aging processes that in the long run tin pb to damage or even the loss of works.

Yet aging is only one aspect of the trouble. In that location are also file formats and complex technical installations that are based on calculator technologies or other hardware. All of these components can historic period: not simply the media themselves are affected by the processes of decay, but even the content can get unreadable over of the years due to incompatibilities. Technological evolution constantly results in new file formats and software codecs that are adapted in the production process of video artists. This is why in addition to the material-related risks, conscientious observation is necessary to ascertain which technologies have a promising hereafter—and which digital platforms and formats are on their way to becoming obsolete. To this end all new acquisitions must be thoroughly evaluated and documented to determine the exact type of digital format. The files are then transferred to a digital repository.

To meet all of the different requirements, a multistage strategy for long-term archiving was developed for the JULIA STOSCHEK COLLECTION, based on the "three-pillar approach." The goal is to consolidate the heterogenous collection on a digital level in just a few established and homogeneous target formats. This noticeably reduces the conservation effort since merely a manageable number of formats demand to be regularly checked and monitored to safeguard against formats that are condign obsolete. This is flanked by individual solutions for artworks that exercise not support a standardized procedure. On a digital level, multiple backups that are independent and redundant requite boosted security, thus ensuring that the collection is preserved.

Media-Art Repository

The media art-depository is the centre of the collection. Since fluctuating temperatures and humidity factors crusade damage to videotapes and moving-picture show, this was one of the most important factors during the planning. Temperatures of around 15 degrees Celsius (59 degrees Fahrenheit) and 35 percent relative humidity (RF) are considered optimal for storing magnetic tapes and was therefore chosen for the repository. These conditions are also appropriate for motion picture and slides.

The media art depot, designed and individually planned for the JULIA STOSCHEK Drove, has 2 airlocks: 1 prevents abrupt changes in climate when people enter, while the second airlock is conceived for tapes and media that are stored in the media depository. They tin can acclimate slowly in the airlock before they are moved to special mobile shelving for storage. The mobile shelving system, which is equipped with ball-bearing mountings, ensures that the space is used optimally. The flooring has a stove-enamel finish and was checked for leftover magnetic charge to eliminate all risks for the stored videotapes. In add-on, the shelves are grounded to prevent any static electricity.

Since grit and air pollution stand for a serious danger for media artworks, the air is filtered multiple times before and after the conditioning process. Smoke and water detectors also as an alarm system simultaneously offering comprehensive hazard protection.

The elaborate technical amenities in combination with the custom mobile shelving make the media-art repository unique in Europe.

Andreas Weisser

Time-based media conservator

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Source: https://www.jsc.art/

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